the family

Helter Skelter

Client

Invented by Girls, EPIX

Alongside Director Lesley Chilcott and the Invented by Girls team, we developed a tactile, emotive graphics package to help tell the familiar story of Charles Manson.

Helter Skelter

the family

Helter Skelter

Helter Skelter

For the 6-part Epix docu-series, Helter Skelter, we wanted to evoke the feeling of time and place as much as possible, steering away from bringing focus to the violence the Manson family committed, and creating a graphics look more centered around the journalistic approach to their crimes.

Inspired by 1960s Los Angeles, burnt orange color palettes and smog, we leaned into a more “shot” feeling for our overall graphics approach.

Initial title sequence design concepts

Our initial design exploration started with a psychedelic, chaotic approach, the embodiment of Helter Skelter. With that first pass out of our system, we shifted gears to a more practical, gritty design language, better suited to the story and Lesley’s vision. Inspired by 1960s Los Angeles, burnt orange color palettes and smog, we leaned into a more “shot” feeling for our overall graphics approach.

The idea of our main title sequence sprang from wanting to represent Manson as a coyote, a wanderer and predator - mixed with various iconography and archival clips, exposed onto beautiful, iconic b-roll footage of LA, and celluloid film stock, we were able to infuse all of these elements into the sequence with a kind of controlled chaos. Using subliminal nods to the press, the opening credits type was comped in with text from a real teletype, shot by Lesley’s team.

01/03

Across the series we developed our “in-camera”, practical language, from newspaper clippings to maps of LA and Death Valley to old rap sheets that would tally up Manson’s adolescent crimes as he moved from place to place.

Tying off the series, our lower thirds and locators complete the journalistic nod with a custom teletype font. We were also given the opportunity to create backgrounds for interviews that had been shot on green-screen- setting the tone for each interviewee’s environment and their involvement in Manson’s story.

Thanks to Lesley and team for their ideas and collaboration throughout - we loved every step of the process. All 6 episodes of Helter Skelter: An American Myth are now available on Epix!

Up next

Related Projects

For the first original docuseries on the streaming service Peacock, John Wayne Gacy: Devil in Disguise, we put ourselves in Gacy’s place to set the tone for the series’ title sequence...literally.

NBCUniversal / Peacock

Devil in Disguise

For the first original docuseries on the streaming service Peacock, John Wayne Gacy: Devil in Disguise, we put ourselves in Gacy’s place to set the tone for the series’ title sequence...literally.

View Project
For Amazon's Falling For A Killer, Saloon Media came to us with a story that's been retold many times, but never quite like this.

Saloon Media

Falling For a Killer

For Amazon's Falling For A Killer, Saloon Media came to us with a story that's been retold many times, but never quite like this.

View Project
How do you capture almost two decades worth of social change and political shifting and turn it into a show brand? That was the question we faced teaming up with Jeff Cooperman and our friends at Left/Right to create a graphics package and a show open for National Geographic’s series Generation X.

Left/Right

Generation X

How do you capture almost two decades worth of social change and political shifting and turn it into a show brand? That was the question we faced teaming up with Jeff Cooperman and our friends at Left/Right to create a graphics package and a show open for National Geographic’s series Generation X.

View Project
0:00
-0:00